Friday, August 12, 2016

Berlinale 2017: Talent Press Call for Entries


Berlinale Talents is a vibrant platform for emerging film critics and journalists to improve their working skills and discover current trends in world cinema.
At Talent Press, the most promising critics and journalists from around the world meet filmmakers, review movies and take part in events throughout Berlinale Talents and the entire festival. They share their experiences and thoughts in an extensive essay, written under the tutelage of renowned mentors. All work done in Berlin is published at the websites of FIPRESCI and Goethe-Institut as well as within the participants' own international media networks.
Talent Press, February 11-16, 2017. For details see www.berlinale-talents.de www.fipresci.org/news/talent-press-2017
Apply now for the 2017 edition at www.berlinale-talents.de/bt/berlin/ap/select/welcome
Deadline: 1 September 2016, 23:59 (CET)
"Talent Press" is an initiative of Berlinale Talents, Goethe-Institut and FIPRESCI.

FIPRESCI -Warsaw Critics Project 2016 Call for Participants


Applications are now open for the 11th FIPRESCI Warsaw Critics Project – a training programme for young critics and film journalists from Central and Eastern Europe coordinated by the Warsaw Film Foundation and FIPRESCI, the International Federation of Film Critics.
The workshop will be held during the 32nd Warsaw Film Festival between 7 and 16 October 2016. A group of young critics will be invited to the festival and have a unique opportunity to take part in one of the most prestigious film events in the region, meeting high-profile film professionals and contributing to the deliberation meeting that decides which film is awarded by the festival's FIPRESCI jury.
Deadline for applications: 15 September 2016.
More information at: http://wff.pl/journalists/workshop
http://www.fipresci.org/news/warsaw-critics-project-2017

Sunday, July 24, 2016

Jameson CineFest Miskolc International Film Festival (September 9-14, 2016)
 Call for Young Talents
"Critical Skills Workshop"- an initiative of the Jameson CineFest Miskolc International Film Festival and FIPRESCI, the International Federation of Film Critics.



Young film critics and film journalists will be invited to Miskolc to report on the films of the 13th Jameson CineFest Miskolc International Film Festival (September 9-18, 2016)

The programme is designed for young (under 30) film critics or journalists in Eastern European countries: Croatia, Czech Republic, Hungary, Poland, Romania, Serbia, Slovakia, Slovenia. They should meet the following criteria:

· They must be fluent in English (writing and speaking)
· Be eager to report on films within the framework of the Jameson CineFest
· Have published articles in newspapers, film magazines or on specialised websites.

The participants are expected:

· To be willing to cover a broad range of journalistic work: you will write interviews, reviews, reports, articles and features on the Jameson CineFest Miskolc International Film Festival
· To attend editorial meetings with their mentors.
· Participants will grant unlimited use and exploitation rights in and to all articles and reviews written in the framework of the Talent Campus and the Jameson CineFest Miskolc International Film Festival. The resulting articles will be published on the websites of CineFest and FIPRESCI.

The participants will be offered:

· A share of the travel expenses according to their country of origin.
· Free accommodation from September 9 to 14, 2016.
· The opportunity to meet and to be with many young talented filmmakers from all over the world and to experience the day-to-day buzz of a prestigious festival with unique competition programmes and the screening of classics. The CineFest will remember Krysztof Kieslowski, screening his "Three Colors" trilogy. This year's Lifetime Achievement award winner, Juliette Binoche, will honour the Festival with her presence. The participants have an opportunity to watch Károly Makk's digitally re-mastered classics, meet the new Hungarian talents (Hungarian New Wave program) and explore the rich world of international cinema.
· Participants will be guided through the Jameson CineFest by experienced colleagues.
· Every day, participants will have the opportunity to write a critique of a film from the festival program or short reviews of an event at the Campus program, and will discuss and review it with your fellow participants and film critics.

The application should include:

· Curriculum vitae and personal data (address, email etc, as well as a passport photo).
· Up to three (3) articles (scan of the originals) that you have published in the last two years (if these articles are not in English you should supply us with a decent translation as a proof of your English writing skills for each article).
· A short text (up to 100 words) outlining why you want to write about cinema.

How to proceed with your application:

Send your request together with all documents to the festival, at talentcampus@cinefest.huThe deadline is August 5, 2016. The participants will be informed by middle of August.

The "Critical Skills Workshop" is an initiative of the Jameson CineFest Miskolc International Film Festival and FIPRESCI, the International Federation of Film Critics.




Saturday, April 23, 2016

69th Cannes Film Festival -additional list -The Salesman,Eshtebak

The following films – for the most part viewed after 14th April – complete this year’s Official Selection:

IN COMPETITION
THE SALESMAN  by Asghar Farhadi (Iran)

UN CERTAIN REGARD
Opening film: ESHTEBAK (CLASH)  by Mohamed DIAB (Egypt) HELL OR HIGH WATER  by David Mackenzie (Great Britain)

MIDNIGHT SCREENING
BLOOD FATHER  by Jean-François Richet (France)

SPECIAL SCREENINGS
WRONG ELEMENTS  by Jonathan Littell (United States) LA FORÊT DE QUINCONCES  by Grégoire Leprince-Ringuet (France) CHOUF  by Karim Dridi (France / Tunisia)

Thursday, April 14, 2016

69th Cannes Film Festival 2016-Thierry Fremaux and Pierre Lescure released the list of films to be screened

69th Cannes Film Festival  2016 will open on May 11 and  runs upto May 22. Woody Allen’s Cafe Society, a drama set in the cafe culture of America in the 1930s will be the opening film. Festival Chief Thierry Fremaux and the Festival President Pierre Lescure released the list of films to be screened in the    edition.In all, forty-nine films have been included in the list in various sections like Competition, Out of Competition, A Certain Regard and Special Screenings.
festival Competition
1. Toni Erdmann (Maren Ade)
2. Julieta (Pedro Almodóvar)
3. American Honey (Andrea Arnold)
4. Personal Shopper (Olivier Assayas)
5. The Son Of Joseph {La Fille Inconnue} (Jean-Pierre Dardenne & Luc Dardenne)
6. It’s Only The End Of The World {Juste La Fin Du Monde} (Xavier Dolan)
7. Slack Bay {Ma Loute} (Bruno Dumont)
8. Paterson (Jim Jarmusch)
9. Rester Vertical (Alain Guiraudie)
10. Aquarius (Kleber Mendonça Filho)
11. From The Land Of The Moon {Mal De Pierres} (Nicole Garcia)
12. I, Daniel Blake (Ken Loach)
13. Ma’ Rosa (Brillante Mendoza)
14. Bacalaureat (Cristian Mungiu)
15. Loving (Jeff Nichols)
16. The Handmaiden {Agassi} (Park Chan-Wook)
17. The Last Face (Sean Penn)
18. Sieranevada (Cristi Puiu)
19. Elle (Paul Verhoeven)
20. The Neon Demon (Nicolas Winding Refn)
Out Of Competition
1. Café Society (Woody Allen)
2. The BFG (Steven Spielberg)
3. Goksung (Na Hong-Jin)
4. Money Monster (Jodie Foster)
5. The Nice Guys (Shane Black)
A Certain Regard
1. Varoonegi (Behnam Behzadi)
2. Apprentice (Boo Junfeng)
3. Voir Du Pays (Delphine Coulin & Muriel Coulin)
4. La Danseuse (Stéphanie Di Giusto)
5. Eshtebak (Mohamed Diab)
6. La Tortue Rouge (Michael Dudok De Wit)
7. Fuchi Ni Tatsu (Fukada Kôji)
8. Omor Shakhsiya (Maha Haj)
9. Me’ever Laharim Vehagvaot (Eran Kolirin)
10. After The Storm (Hirokazu Kore-Eda)
11. Hymyilevä Mies (Juho Kuosmanen)
12. La Larga Noche De Francisco Sanctis (Francisco Márquez & Andrea Testa)
13. Caini (Bogdan Mirica)
14. Pericle Il Nero (Stefano Mordini)
15. The Transfiguration (Michael O’shea)
16. Captain Fantastic (Matt Ross)
17. Uchenik (Kirill Serebrennikov)
Midnight Screenings
1. Gimme Danger (Jim Jarmusch)
2. Bu-San-Haeng (Yeon Sang-Ho)
Special Screenings
1. L’Ultima Spiaggia (Thanos Anastopoulos & Davide Del Degan)
2. Hissein Habré, Une Tragédie Tchadienne (Mahamat-Saleh Haroun)
3. La Mort De Louis XIV (Albert Serra)
4. Le Cancre (Paul Vecchiali)

Tuesday, February 2, 2016

Geetu Mohandas won Sundance Institute Global Film making Award

 

 

Geetu Mohandas 

won Sundance Institute Global Film making Award

  • Geetu Mohandas, Global Filmmaking award at Sundance, Sundance Film Festival 2016, Geetu Mohandas news, Geetu Mohandas films, entertainment news
  • GLOBAL FILMMAKING AWARDS:
    The winning directors and projects of the 2016 Sundance Institute Global Filmmaking Awards in recognition and support of emerging independent filmmakers from around the world, are:
    August (Cuba) / Writer-Director: Armando Capo
    In August 1994, Carlos comes of age during the Cuban Raft Exodus. He loses his first love, his friends leave the country, he discovers sex, and for the first time feels afraid about his future.


     



    Insha’ Allah (India) / Writer-Director: Geetu Mohandas
    11 year old Mullakoya, tired of living in the shadow of the colorful, magical-realist folklore that surrounds his missing older brother, sets off on a treacherous journey from the Lakshadweep Islands in the Arabian Sea to the Indian mainland to search for him.
    Sicilian Ghost Story (Italy) / Writer-Directors: Antonio Piazza, Fabio Grassadonia
    When a local Mafia don’s son is kidnapped, a young Sicilian girl refuses to accept the sudden disappearance of the boy she loves. Based on real life events at the height of the Mafia’s reign in Palermo, Sicilian Ghost Story is a striking and unique look at the power that love has to survive in the darkest of worlds.
    The Treasure (Morocco) / Writer-Director: Abdellah Taia
    Janine, a French woman born in Morocco, accompanied by her building manager, Mohamed, set out on an adventure in search of a hidden treasure in the mountains of Atlas. The journey into her past becomes an exploration of post-colonial identity in Morocco.