The
FIPRESCI Jury awarded three prizes: two in the Official Selection – one for the
Competition and one for "Un Certain Regard" –, and a third one for either
"The Critics Week" or the "Directors' Fortnight". Under the
presidency of Alissa Simon, USA the FIPRESCI jury including Thomas Aïdan,
France; Rodrigo Fonseca, Brazil; Barbara Lorey de Lacharriere, France; Pierre
Pageau, Canada; Eva Peydró, Spain; Silvana Silvestri, Italy; Mode Steinkjer,
Norway; Vidyashankar Jois, India. Coordination: Pamela Biénzobas, France/Chile
decided the prizes as follows:
Prize
in the Official Selection / Competition:
"120 Beats Per Minute" (BPM – Beats Per Minute / 120 battements par minute)
by Robin Campillo (France, 2017, 140 min),
"120 Beats Per Minute" (BPM – Beats Per Minute / 120 battements par minute)
by Robin Campillo (France, 2017, 140 min),
"A film about love. A film about life. Life stronger than death. A film as
a glimpse of hope."
Prize
in the Official Selection / Un Certain Regard:
"Closeness" (Tesnota) by Kantemir Balagov (Russia, 2017, 118 min),
"A striking new voice provides an intimate portrait of a closed community. Complete cinema."Prize to a first or second film in the parallel sections,
"Closeness" (Tesnota) by Kantemir Balagov (Russia, 2017, 118 min),
"A striking new voice provides an intimate portrait of a closed community. Complete cinema."Prize to a first or second film in the parallel sections,
Directors' Fortnight or La
Semaine de la Critique:
"The Nothing Factory" (A fábrica de nada) by Pedro Pinho (Portugal, 2017, 177 min), presented in the "Directors' Fortnight",
"An evocative activist film that blows the boundaries between reality, fiction, theater an sociological discourse leading to an unsettling and provocative cinematic experience."
"The Nothing Factory" (A fábrica de nada) by Pedro Pinho (Portugal, 2017, 177 min), presented in the "Directors' Fortnight",
"An evocative activist film that blows the boundaries between reality, fiction, theater an sociological discourse leading to an unsettling and provocative cinematic experience."
No comments:
Post a Comment